BUDDHISM
IN NEPAL
Based
on meditations of GAUTAMA SIDDHARTA,
also called Sakyamuni (wise
man of the Sakya clan) and later the
Buddha (Enlightened one). Philosophical
doctrine and code of conduct. Based
on the three jewels, Buddha himself,
dharma, Buddha's teachings and prescribed
conduct, and sangha the community.
Buddha
was born in Lumbini, Nepal
around 544 BC. Son of raja (title
for rulers and wealthy landlords)
who sought reason for human misery.
Left his family and experimented and
traveled; found enlightenment through
meditation at Bodh Gaya.
Dharma
is the doctrine of four truths discovered
through meditation.
- Existence
is unhappiness.
- Everything
in life brings suffering, birth,
responding to needs and death. Origin
of suffering is in needs, wants
and desires of men and being attached
to material values (illusions of
the senses).
- Unhappiness
is caused by selfish cravings or
passions.
- Selfish
cravings can be eliminated by renunciation
desires and following the eight-fold
path:
- Right
views, understanding and vision.
-
Right purpose, aspiration and
intention.
-
Right speech.
-
Right vocation and honest livelihood.
-
Right conduct and action.
-
Right effort and dedication.
-
Right alertness and mindfulness.
-
Right concentration and meditation.
Sangha
is community of Buddhists.
Used to mean monastic community but
concept broadened. Showing the path
to enlightenment.
About
100 years after Buddha's death, communities
disagreed and split over ways to achieve
enlightenment. Traditional school
of Theravada Buddhists follows Buddha's
original teachings. Mahayana school
accepts some changes, various
ways to enlightenment (became Zen).
Scripts
appeared also introducing changes.
Deification of Buddha, and separation
between mortal Buddha like Siddharta
who will reappear, and transcendental
ones which are only understood through
meditation (Dhyani Buddhas). While
enlightenment reached through individual
effort, idea spread that meditation
Buddhas give merit to those who
worship them. Bodhisattvas
are humans who reached enlightenment
but instead of joining nirvana
chose to help others reach enlightenment.
Tantrism
Movement from with the Mahayana
school appeared in first century
AD in fringe areas of India. Hindus
and Buddhists came into contact
with animist religions and integrated
beliefs and practices. Yoga, physical
exercises to control body functions,
mantras, repetitive utterances, bijas,
magic syllables, use of designs and
objects such as mandala and dorje.
Transformed into Lamaism which
penetrated also into Nepal. Purpose
was to shorten the road to enlightenment
with such practices.
Prayer
Flags and Prayer Wheels take prayers
to the sky, to the divinities. Idea
that movement creates power. Prayer
wheels rotated clockwise to send mantra
to the divinities. Usually brass cylinder
with pre-Sanskrit script, ranja, writing.
The wheel contains parchment like
paper upon which the Tibetan incantation
OM MANI PADME HUM (image top)
is repeatedly printed. Some rough
translations of this mantra are
Oh,
the jewel (mani) concealed in the
lotus (padma) ah.
One
specific interpretation of this incantation
is that of a prayer the Boddhisattva
Padmapani who controls reincarnation
Oh,
Padmapani, give me the jewel
in the lotus, which is the blessing
on non-rebirth or attainment of Nirvana
through the acceptance of the Buddhist
doctrine.
A
more general interpretation is Oh,
may the jewel remain in the lotus,
meaning may Buddha's teachings remain
pure in our minds and souls.
Vajra
or Dorje looks like two crowns
with bases attached by a metal ball.
Each crown has four outer spokes and
one inner spoke to represent the meditation
Buddhas, united at the top to
convey that they are but one. Means
"thunderbolt" symbolic attribute
of Hindu god Indra who is the divine
power of natural forces, and the "diamond",
the substance that is translucent
and unbreakable. The Dorje is primarily
a symbol of power but is also a representation
of the male.
Ghanta,
the bell is bronze and topped with
crown shaped handle. The bell symbolizes
the female. In a metaphysical sense,
male represents knowledge and female
represents wisdom. Both important
to rituals.
Statues
and temples for Buddha or to Bodhisattvas.
Chaitya,
a somewhat conical stone structure,
shrines for gratitude or worship.
Always show four statues representing
each of the dhyana-Buddhas or meditation
Buddhas.
Facing
north, Buddha Amogasiddhi
with right hand upward and palms outward
to express fearlessness and blessing
(associated with green).
Facing
east, Buddha Akshobya, right hand
outstretched with fingers touching
earth calling Earth-goddess to witness
that Buddha resisted temptations put
forth by demon Mara who was trying
to lure him away from his meditations.
Also thought of as calling to witness
Buddha's deserving supreme enlightenment.
(blue)
Facing
south, Buddha Ratnasambhawa
with right hand palm outward to express
compassion. yellow
Facing
west, Buddha Amithaba, two hands
folded, resting on lap in meditation.
red.
Some
chaityas or scrolls show a
fifth central figure, the Buddha Vairocana
who is above or in the middle of the
previously mentioned four. Hands folded
in front of chest he is perfect sovereignty
as "turning the wheel of the
Buddhist doctrine." white.
Another
common Buddhist statue is that
of the Tara, either white or green
Tara. Were the two wives of Srong
Tsam Gampo, King of Tibet that they
converted to their faith, Buddhism.
Deified.
Bodhisattvas
honored often are Padmapani,
holds a lotus flower and is master
or reincarnations. Manjushri
is honored as bearer of wisdom by
Buddhists and Hindus. Holds
book of knowledge in left hand and
a sword to strike ignorance with right.
A
historical look demonstrates that
artistic expression reflects the religious
and ethnic diversity within the valley.
Nepalese art became prominent in the
13th century through the work of Balbahu,
also known as Arniko, an architect
for the king of Tibet and possibly
the Emperor of China. Nepalese art
is recognized for its candour, simplicity
and harmony balanced with intricacy
and decoration. The Malla dynasty
promoted all forms of artistic expression
from the 14th to the 19th centuries.
Tibetan forms of expression influenced
art in the valley beginning in the
17th century. Tantric and Buddhist
themes introduced greater differentiation
between Nepalese and Indian art.